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近世欧风东渐,单色画与彩色画之学说,木炭、铅笔、钢笔者为单色画,油画、水彩画、粉画为色彩画,标着学堂课程。青年学子向风西方美术,声势甚盛,而中国画学适承其凋敝之秋。余著有《中国画学衰敝论》,寻衅蹈瑕,遂为一时所排击。游学东瀛之士,目睹日本国之文部每设图画展览会,甄录东西两方新旧画派,并驾齐驱,不相优劣,或思参合于日本画学而调停之。况观欧美诸国言美术者盛称东方,而于中国古画,恣意搜求,尤所珍爱,往往著之论说,供人
In recent years, the European style has gradually moved east. The theory of monochromatic painting and color painting, charcoal, pencil, and pen are monochromatic paintings, oil paintings, watercolor paintings and powder paintings. Young students to the wind Western art, the momentum is very strong, and Chinese painting comfortable with their decadent autumn. I still have “Chinese painting theory of decline”, looking for a flaw, then hit for a while. Visitors to Japan, have witnessed the Japanese Ministry of Culture every painting exhibitions, both the old and the new records of the East and West painting school, go hand in hand, incompatible with each other, or think of the United States in the Japanese painting and mediation. Situation view Europe and the United States all the art artists claiming the East, but in ancient Chinese painting, wanton search, especially cherished, often the theory that, for people