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宋词,是词体的一种极致,是展现着宋代词人对外部世界敏锐的心灵感应的一大文学景观,值得后人不断的体味与探寻。张惠民先生的新著《宋代词学审美理想》(人民文学出版社“中国古典文学研究丛书”之一,1995年4月版),是探寻宋词的心灵世界的可喜收获。作者以宋代词学理论为经,以对宋词文本的读解为纬,站在文艺美学的高度,探讨宋词创作
Song Ci, which is the ultimate of Ci style, is a great literary landscape that shows the sensitive telepathy of Ci writers in the Song Dynasty to the outside world. It deserves to be continuously appreciated and explored by later generations. Mr. Zhang Huimin’s new book Aesthetic Ideal of Ci Poetry in the Song Dynasty (People’s Literature Press, one of the Series of Studies of Chinese Classical Literature, April 1995 edition) is a welcome harvest for exploring the spiritual world of the Song poetry. Based on the theory of Ci poetry in Song dynasty, the author takes the interpretation of Ci poetry as the latitude and stands at the height of literary aesthetics to explore the creation of Ci