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大多数电影的音乐是作为与电影主题内容关联不大,附属性的伴奏作用而存在的,往往这种音乐游离在电影之外,浮皮潦草地重复着电影中某些人物出现的情景,夸大着剧情的某些场景,甚至完全与电影割裂开来,成为电影、音乐两张皮,影响着电影的主题表达。电影音乐也应当像电影一样,具有蒙太奇、分镜头的作用和效果。电影音乐应当细腻,鲜明真实,与电影具有切割性,和电影一样具有逻辑性与独立性,而不仅仅是电影的附属。这时候,电影音乐可以给观众一种独立于电影
Most of the film’s music exists as an accompaniment to the subject matter of the movie, which is often accompanied by an accompanying accompaniment. Often, such music is free from the film, repeating the sloppy repetition of the appearance of certain characters in the movie, exaggerating Some scenes of the story, or even completely separated from the movie, into a movie, music, two skins, affecting the thematic expression of the movie. Movie music should also be like a movie, with a montage, the role of sub-shot and effects. Film music should be delicate, vivid and real, and cutting-edge film, as the film with the logic and independence, not just a movie subsidiary. At this time, movie music can give the audience a kind of independence from the movie