论文部分内容阅读
2002年10月19日至21日,中国美术学院、浙江大学、中国现象学哲学专业委员会在杭州联合召开了“现象学与艺术”国际学术研讨会(暨中国现象学专业委员会第七次年会)。会议邀请了来自海内外的四十余位知名哲学家、艺术家和艺术评论家发表讲演,数位著名书画家现场演示艺术的创作与发生实况。此次研讨会无疑为哲学家与艺术家们的对话与碰撞提供了一个崭新的平台。艺术家们立足图像视觉经验和创作实践,以看的感悟和由此引发的对物象的再创作过程的分析、阐释来诠释现象学之于一位艺术家而言的现实意义;哲学家们则在现象学理论领域探究哲学范畴时“现象”以何种方式和姿态入住非实用艺术创作的精神家园。他们站在各自不同的立场。共同探讨了当代现象学于艺术发展中可能呈现的内容和形式。
From October 19 to October 21, 2002, the China Academy of Art, Zhejiang University and the Phenomenology and Philosophy Committee jointly held the International Symposium on Phenomenology and Art in Hangzhou (the 7th Annual Meeting of the Chinese Phenomenology Specialist Committee ). The conference invited more than 40 well-known philosophers, artists and art critics from home and abroad to deliver lectures and present the live demonstrations of several famous artists. This seminar undoubtedly provides a brand new platform for dialogue and collision between philosophers and artists. The artist interprets the realistic meaning of phenomenology to an artist based on the visual experience and creative practice of the image, the sentiment of seeing and the analysis and interpretation of the re-creation of the object resulting from it. The philosophers, on the other hand, In the field of theoretical research, the “phenomenon” in the category of philosophy should be admitted to the spiritual home of non-functional artistic creation. They stand in different positions. Discuss the possible contents and forms of contemporary phenomenology in the development of art.