作为设计本身,主观形态似乎有着更为广阔的展示舞台。众所周知,设计是一个思维的过程至结晶为主诉手段的形式表现体,其间体现出更多的是思维的锻造过程,在此过程中主观意识决定着思维后的结果和状态,而思维的意识和导向往往是由思维者自身各类复杂的因素所决定的,这类因素的形成归纳起来无非就是思维者的生长环境、性格、知识及其见识的能力与水平的综合体现。因此,这些因素将决定主观意识的思维走向和其延伸的深度和广度。思维与意识一旦成茧,表现便顺其自然的作为思维的代言者显现出来。设计的思维是一个没有疆域的锻造过程,无以穷尽的思维结晶很难由客观形态的母体单独来完成,由此,主观形态似乎可以顺理成章地担当起超乎想象地思维结晶地代言者。由于联想的无限扩散性必然导致了形态的多样性,而多样性联想的价值在于突破客观形态的束缚与制约,从而进入到无垠广阔的主观形态的制造空间,这种主观形态的产生具有极其强烈的个性而且无法在个体外被偶然的巧遇和复制。我们在联想后的主观形态中能够惊奇地发现,眼睛居然和灯泡、电筒地照射面以及磁盘结合在一起,同时我们还可以看到条形码作为香火地媒介与香炉同为一体或者作为条形码与木梳完美地结合等等地视觉形象。但是在生活中它们却是两个完全不同地客观物体,但在主观意识的熔炼之下,称为一个充满文化内涵和生活哲理的形态传播体。随着联想的延伸,在正负形态的表现方式中,联想由对单一的主观形态的变化中而进入主观组织结构的变异。所谓的主观组织结构的变异指的是将客观形态的基本母体经过主观思维的变体,进行进一步提示其蕴意与内涵,从而达到预期中的想象效果,单一主观形态不同于正负图形的主观形态。结构的区别在于前者为单体的主观变异,而后者则是双体的组织构成。二者的结合主要目的是为了达到在组合后能够形成具有新的内涵又可以各显其自身形态特征的符合造型体。 As a design itself, the subjective form seems to have a broader stage of display. As we all know, design is a formal process of thinking to the crystallization of the main means of presentation, which reflects more of the forging process of thinking, in the process of subjective consciousness determines the outcome and state of thinking, and thinking and thinking Orientation is often determined by the complexity of the various factors of the thinking of their own, and the formation of these factors is nothing more than the thinking of the growth environment, personality, knowledge and knowledge of their ability and level of a comprehensive expression. Therefore, these factors will determine the depth and breadth of subjective ideological trends and their extension. Once the mind and consciousness become cocoon, the performance will show itself as the spokesman of thinking. The thinking of design is a forging process without boundaries. It is difficult for the crystallization of non-exhaustive thinking to be completed by the mother of the objective form alone. Therefore, the subjective form seems to be able to reasonably assume the endorsement of thinking and crystallizing beyond imagination. Since the infinite diffusivity of associations inevitably leads to the diversity of forms, the value of diversity associations lies in breaking through the constraints and constraints of objective forms and thus entering the manufacturing space of vast and subjective forms. This subjective form is extremely strong Personality and can not be accidental coincidence and replication outside the individual. We can be surprised to find in the subjective form of the association that the eyes are actually combined with bulbs, flashlights and disks, and we can also see the bar code as a medium of incense and incense burner as a whole or as a bar code and comb The perfect combination of visual images and more. However, in life they are two completely different objective objects. However, under the subjective sense of melting, they are called a form of mass media full of cultural connotation and philosophy of life. With the extension of association, in the expression of positive and negative forms, association changes into subjective organizational structure through the change of a single subjective form. The so-called subjective changes in the organizational structure refers to the objective form of the basic parent through subjective thinking variants, to further suggest its meaning and content, so as to achieve the desired effect of the imagination, a single subjective form is different from the positive and negative graphics subjective form. The difference between the structures is that the former is the subjective variation of the monomer, while the latter is the constitution of the double body. The main purpose of the combination of the two is to achieve a conforming body capable of forming new connotations and displaying their own morphological characteristics after combination.