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李渔是明末清初著名的戏曲小说家,他创作的小说,经常由自己改编成戏曲,以期达到不同的艺术效果。在他现存的小说戏曲作品中,有一部故事传奇、人物丰富的改编戏《奈何天》,占据着特殊的地位。李渔不仅以独特的巧思谋画全剧的情节结构,在人物塑造上也颇费苦心。本文就剧中的一个主要人物——阙忠,进行分析,旨在考察李渔的戏剧作品在人物设定上较前后的进步与不足,从而更深层次地探讨李渔思想上的先进性与局限性。
Li Yu is a well-known opera novelist in the late Ming and early Qing dynasties. His novels are often adapted by himself into drama in order to achieve different artistic effects. Among his extant novel novels, there is a story of legend, a rich adaptation of the play “Nothing”, occupy a special position. Li Yu is not only a unique ingenuity to plot the plot plot structure, but also quite painstaking characterization. This article analyzes one of the main characters in the play, Quezhong, to analyze Li Yu’s dramatic works in terms of the progress and insufficiency of the characters before and after, in order to further discuss the advanced nature and limitations of Li Yu’s thoughts.