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中国油画在将近一个世纪的进程中,曾经历了三个较大的发展期。第一个发展期在30年代是在“五四”前后出国留学的一批青年画家先后回国的背景下形成。他们回国后带着各自的艺术理想纷纷办学、办展,组织各种艺术活动,出版刊物,翻译艺术论著,不同流派之间展开激烈争论(主要表现为古典写实与现代表现的两极对抗),从而形成了中国油画的第一个发展热潮。但随着民族解放运动的展开,艺术的发展不得不让位于“抗日救亡”这个社会大主题;油画发展的第二个热潮是在
In the course of nearly a century, Chinese oil paintings have experienced three major development periods. The first period of development was formed in the 1930s when a group of young painters studying abroad before and after the May 4th Movement successively returned to China. After returning home, they went to school with their own artistic ideals, organizing exhibitions, organizing various art activities, publishing publications and translating works of art, and fierce debates among different schools (mainly manifested as bipolar confrontation between classical realism and modern performance) Formed the first development boom of Chinese oil painting. However, with the launching of the national liberation movement, the development of the arts had to give way to the social theme of “resisting Japan and saving the nation.” The second craze in the development of oil painting was that