六、传统白描用笔之忌传统白描绘画中的用笔是非常讲究的,每一笔都有其规范的方法。近代画家黄宾虹,将用笔总结为平、圆、留、重、变五种。宋代郭若虚论用笔时指出:“画有三病,皆系用笔。所谓三病:一曰板、二曰刻、三曰结。板者,腕弱笔痴,全亏取与,物状平褊不能圆浑也;刻者,运笔中疑,心手相戾,勾画之际妄生圭角也;结者,欲行不行,当散不散,似物凝碍,不能流畅者也。 Sixth, the traditional white pen avoid the pen Traditional white portrait pen is very particular about the pen, each pen has its own method of standardization. Modern artist Huang Binhong, the pen will be summed up as flat, round, stay, weight, change five. Guo Ruoxu on the Song Dynasty pointed out when using the pen: ”Three diseases are painted, all with pen. The so-called three diseases: a plate, said two engraved, three yue knot. Things like flat 褊 can not be rounded muddy; engraver, Yunbi suspicion, his hand phase, sketching on the occasion of improper Kyu Kok also; knot, want to do, when the bulk is not scattered, like the obstacles, can not be smooth who also.