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中国画的笔墨形态中,线是最为主要的。自东晋顾恺之创春蚕吐丝般的高古游丝描,中国绘画就已有了较完美较成熟的线型笔墨形态,直到二十世纪徐悲鸿仍认定“线”是中国画的本源。悠悠一千数百年间,不断演进而成的“十八描”程式法则主导了整个中国人物画创作。虽曾有梁楷的泼墨人物,也未能动摇“线”这一笔墨形态始终如一、独领风骚的地位。
Chinese painting in the form of pen and ink, the line is the most important. Since the Eastern Qing Dynasty, Gu Kai’s silkworm-like Silkworm silkscreen, Chinese painting has been more perfect and more mature line pen and ink until the 20th century, Xu Beihong still believe “line” is the origin of Chinese painting. For thousands of years, the evolving “eighteen strokes” program rules dominate the whole Chinese figure creation. Although there was Liang Kai’s inkpainting characters, they failed to shake the “line” this ink shape has always been the same, dominate.