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舞蹈“铙钹花”可考证历史已有400多年,它是梅州客家“香花佛事”中由僧人或斋嫲持钹表演的丧葬舞蹈。该舞蹈反映了梅州客家人的独特文化,共108式,并于2009年被列入广东省第三批省级非物质文化遗产保护名录。钹舞广泛流传于中原大地,而梅州客家人的“铙钹花”颇有特色,该舞蹈与客家文化和传入当地的佛教“香花派”文化密不可分。本文从符号认知的角度,展开对“铙钹花”的研究,从梅州客家人的文化系统对舞蹈“铙钹花”的符号内涵进行文化认知,并从符号象征含义出发将舞蹈“铙钹花”的动作分为“象征生活景象”和“象征佛教境界”两大类,最后总结出舞蹈“铙钹花”借助舞蹈符号起到了告慰亡者,宣泄情感;以舞祀神,祈福生灵;宣守孝悌,团结宗亲的功能。
Dance “cymbal flower ” can verify the history of more than 400 years, it is the meizhou Hakka “fragrant flower Buddha ” in the funeral dance performed by monks or vegetarian cymbals. The dance reflects the unique culture of the Hakka people in Meizhou. The dance has a total of 108 styles and was listed as one of the third batch of provincial-level documents on the protection of intangible cultural heritage in Guangdong Province in 2009. The cymbal dance is widely circulated in the Central Plains, and the “cymbals flower” of the Hakka people in Meizhou is quite distinctive. The dance is closely related to the Hakka culture and the Buddhism “Frangipani ” culture introduced into the area. From the perspective of symbolic cognition, this article starts with the research on the cymbal flower, from the cultural system of the Hakka people in Meizhou to the cultural connotation of the symbolic connotation of the dance “cymbal flower ”, and from the symbolic meaning, “Cymbals flower ” action is divided into “symbol of life ” and “symbol of the realm of Buddhism ” two broad categories, and finally summed up the dance “cymbal flower ” with the dance symbol played a cheerfully killed, vent their emotions; In order to worship God, pray for the living; to honor filial piety, the unity of the function of clan.