一直以来,我对明代的感情都挺复杂。如果以色调论,我在秦朝看到了森严的紫,在汉代看到了绚烂的黄,在唐代看到了明朗的红,在宋代看到了飘逸的青,而到了明代,我看到的是惨淡的灰。这种视觉感受当然与我个人的喜好有关。但不可否认的是,泱泱华夏到了有明一代,曾经有过的辉煌在这里已经找不到有力的支点。无论是政治的,经济的,还是文化的,创新和想象力似乎都已经到了尽头——八股文,显然不能算是一种创 All along, I have a complicated feeling of the Ming Dynasty. If I talk about the tone, I saw the purple in the Qin dynasty, saw the gorgeous yellow in the Han Dynasty, saw the bright red in the Tang Dynasty, saw the elegant blue in the Song Dynasty, but in the Ming Dynasty, I saw the dismal Gray. Of course, this visual experience is related to my personal preferences. However, it is undeniable that there is a bright future in China. There have been no brilliant fulcrums here. Whether it is political, economic, or cultural, innovation and imagination seem to have come to an end - the eight-part essay can obviously not be a kind of innovation