《父亲·爸爸》是我的导演处女作。尽管早在几年前我就从北京电影学院导演研修班毕业，做导演也算是正规“科班”了，可我一直不敢轻易执起导筒。因为这是一个浮躁的年代，像我这种搞美术出身的人，不大愿意去追逐流行，而宁愿固执地追求“唯美”。我觉得《父亲·爸爸》就是一 “Father and Dad” is my directorial debut. Although as early as a few years ago I graduated from the Beijing Film Academy director training class, the director can be considered a formal “Coban”, but I have not dared to easily lead the guide tube. Because this is an impetuous era, like me who engage in fine arts origin, are not willing to chase popular, and would rather stubbornly pursue the “aesthetic.” I think “father and father” is one