“审美意识形态批判”是西方马克思主义美学的一个基本命题,也是其对马克思主义意识形态理论的当代发展所做的重大贡献。本专栏的四篇文章就尝试应用马克思主义的意识形态理论对西方美学的若干问题进行新的审视和解读。朱立元、黄文发的《试论黑格尔美学思想的意识形态性》试图通过将黑格尔的《美学》与其《精神现象学》、《法哲学原理》等著作的比较研究,揭示被长期遮蔽的其美学思想中所包含、体现的政治、道德、宗教等方面的意识形态性;傅其林的《崇高美学的意识形态批判》则对西方美学史上的崇高范畴从现代与后现代两个角度进行了比较深入的意识形态批判,指出现代崇高美学的建构透视出反启蒙理性、反殖民主义、现代个体身份建构或现代政治的无意识等方面的意识形态选择性,而后现代语 “Critique of Aesthetic Ideology ” is a basic proposition of western Marxist aesthetics and also a significant contribution it makes to the contemporary development of Marxist ideological theory. The four articles in this column attempt to apply Marxist theory of ideology to make a new survey and interpretation of some issues of western aesthetics. Zhu Li-yuan and Huang Wen-fa’s “Ideology of Hegel’s Aesthetic Thoughts” tries to reveal the long-term obscure by comparing Hegel’s “Aesthetics” with his “Phenomenology of Spirit” and “Principles of Legal Philosophy” His aesthetic ideology embodies the political, moral, religious and other aspects of ideology; Fu Qilin’s “sublime aesthetic theory of ideological critique” of the Western aesthetics in the history of the lofty category from the modern and post-modern perspectives were compared In-depth ideological criticism points out that the construction of modern lofty aesthetics reveals the ideological selectivity in anti-colonialism, anti-colonialism, the construction of modern individual identity or the unconsciousness of modern politics, and the post-modernism