20世纪80年代初,拉美魔幻现实主义的代表加西亚·马尔克斯的《百年孤独》以其世界性的瞩目成功猛烈地撞击当时中国作家的心灵,在中国文坛上得到普遍的接受,如莫言,扎西达娃等。而莫言的小说以不争的实力获得2012年诺贝尔文学奖,世界文学的星空多了一颗以中国人命名的恒星。本文主要从接受学的角度探讨莫言对马尔克斯的《百年孤独》接受的具体性与变异性。 In the early 1980s, Garcia Márquez’s “One Hundred Years of Solitude”, the representative of Latin American magical realism, hit the hearts of contemporary Chinese writers with his worldwide attention with great success. It was generally accepted in the Chinese literary world such as Mo Yan , Tashi Dawa and so on. Mo Yan’s novel won the 2012 Nobel Prize for Literature with an undisputable power. There is one star named Chinese in the sky of world literature. This paper mainly discusses the specificity and variability of Mo Yan’s acceptance of Marquez’s “One Hundred Years of Solitude” from the perspective of acceptance.