将近十八世纪末和十九世纪上半叶的绘画反映了人们对往昔的新态度,其中更为奇特而引人的是大量的描绘往日艺术家的生活和创作的作品,如《拉斐尔与福尔纳丽娜》、《萨尔瓦多·罗萨在强盗之中》等等。在这个时期,其活动得到描绘的艺术家是如此众多而又如此不同,因而读这类作品的标题目录就象读一册插图本蒂埃姆一贝克艺术百科全书的一系列小标题,尽管准确性标准并不太严格。例如,谁不想更多了解点儿布拉曼把拉斐尔介绍给正在创作蒙娜·丽莎画像的莱奥纳多时的情景,或是伦勃朗辛辣拒绝鲁本斯善意赞扬时的情景(这些场面被布鲁耐夫人和 The paintings of the late eighteenth century and the first half of the nineteenth century reflected people’s new attitude toward the past. Among the more peculiar and intriguing are the works depicting the lives and creations of past artists such as Raphael and Blessed Elina “,” El Rosa in the robber "and so on. The number of artists whose works were depicted at this time was so diverse and so different that reading the title list of such works was like reading a series of subheadings illustrating the encyclopedia Bentham-Beck’s art, despite the accuracy The standard is not too strict. For example, who do not want to know more about Bhraman’s introduction of Rafael to Leonardo, who is creating the portrait of Mona Lisa, or Rembrandt’s spicy refusal of Lubens’s goodwill, These scenes were Mrs. Bruynne