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在上世纪20年代中期,兴、象征主义、纯诗这几个诗学概念分别以被重新提起和从西方介入的姿态出现在新诗理论界。对这几个概念的相关讨论和理解对新诗的发展具有重大的历史意义兴、象征主义与纯诗这三者之间存在着某种内在的关联,这种关联将新诗与古典诗歌传统和西方诗歌艺术思潮这三者之间紧密地结合起来,不仅对此前新诗发展的艺术空白进行了纠偏,而且由此产生的“唤醒”和“异质”从节奏和意象的双重角度为新诗的发展指出了新的方向。
In the mid 1920s, the concepts of Xing, Symbolism, and Pure Poetry appeared in the field of new poetry in re-instituted and from the West respectively. The discussion and comprehension of these concepts are of great historical significance to the development of new poetry. There is some intrinsic correlation between the symbolism and pure poetry. This kind of relationship connects the relationship between the new poetry and the classical poetry and the western The close combination of these three concepts not only rectified the artistic blank of the development of previous poetry, but also resulted in the “awakening” and “heterogeneity” from the double perspective of rhythm and image The development of new poems points out a new direction.