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1铁琴、黑胶、恰恰。这是关于影像和音乐的分解,而非编曲。在录像装置《600569000》(2014)中,谢蓝天拨通哈帝汉堡的热线,将等待铃声那midi式的爵士旋律录制在黑胶唱片上。钨丝灯点亮黑胶功放后的乐音,让人感觉这些与投影仪排成一串的物件像是陈旧发黄的舞厅。这个乐音同时取代一段电影片段的声轨——那是张国荣在电影《阿飞正传》(1990)中,以浪荡子旭仔之身对镜跳舞的一景。在原影片的叙述里,旭仔不知生母为谁,将世间情感挑起后又弃之,并自喻为一生不落地的飞鸟。也许飞鸟是一个绝佳的隐喻。不过这段飞鸟的自白,连着声轨一并被谢蓝天所替换掉了。于是在读与不
1 Glockenspiel, vinyl, precisely. This is about the decomposition of images and music, not arrangers. In the video installation “600569000” (2014), Frankie Blue dials the hotline of Haiti Hamburg and will record the midi-style jazz melodies waiting for the ring on the vinyl record. Tungsten lights lit vinyl power amplifier after the sound, people feel that these objects arranged in line with the projector is like a yellow ballroom obsolete. The tone also replaces the soundtrack of a movie fragment - a scene in which Leslie Cheung dances the mirror with the son of Aberdeen in the movie The True Story of A Fei (1990). In the narration of the original film, Asahi Aberdeen who do not know the biological mother, will be raised after the world’s emotional and abandoned it, and has never been known as a dead bird. Maybe a bird is an excellent metaphor. However, this bird’s confession, together with the soundtrack was replaced by Xie Lantian. So read and not