先识其文,后识其人。在没有认识谭静波老师之前,我就非常喜欢她的文字了。那是中学时代,我在学校图书馆无意瞥见一本九十年代出版的某期《中国戏剧》,被她撰写的《阎立品舞台艺术的美学品格》一文所深深吸引。在以往的印象中,评论文章大都过于理性,缺少通俗、生动和艺术感。然而,静波老师的文笔清新晓畅,既灵动又不乏理性的思考。她的句式多是复合式的,在简单句的基础上不断附加上定语式或状语式的修饰,不仅加强了文字的抒情性,而且让情感反复咏叹,说理层层展开,一改学术论文的 First identify the text, after the knowledge of others. Before I knew Tan Jingbo, I really liked her writing. It was a middle school era. When I was in the school library, I did not catch a glimpse of a certain period of “Chinese drama” published in the nineties. She was deeply attracted by the article entitled “Aesthetics of Yan Lifa Stage Art” written by her. In previous impressions, most of the commentary articles are too rational, lacking in popularity, vividness and artistic sense. However, static wave teacher fresh and clear, both smart and rational thinking. Her sentence style is mostly compound. On the basis of simple sentences, constant affixation of fixed language or adverbial style not only strengthens the lyricity of the text, but also causes the emotion to repeatedly chant, to explain layers of reason, to change the academic thesis of