梁实秋是中国现代文学史上一位特点鲜明的批评家。在梁实秋早期对新文学的严厉批评中,即显示了其片面中又不无某些深刻的文学见解,他注重理性、标准与节制,强调以所谓“文学的纪律”来抑制浪漫的态度,反对感情决溃。白壁德的新人文主义是梁实秋“人性论”的基本架构。他在20世纪30年代同鲁迅论战,暴露了其贵族化的立场,但他对当时“左”的机械论与庸俗社会学的批评,有的也切中肯綮。由于现代中国特定的历史条件,梁实秋的文学观注定要被现代文学主潮抛弃。但作为一位有理论个性的批评家,无论是得是失,他都在中国现代文学史上留下了其特有的痕迹。 Liang Shiqiu is a distinct critic in the history of modern Chinese literature. In his harsh criticism of new literature in the early years of Liang Shih-ch’iu, it shows that there are some profound literary insights in his one-sidedness. He pays attention to rationality, standards and abstemiousness, and emphasizes the suppression of romance by the so-called “discipline of literature” , Oppose emotional defeat. The new humanism of Whitewall is the basic framework of Liang Shiqiu “theory of human nature ”. His controversy with Lu Xun in the 1930s exposed his aristocratic position, but his criticism of the mechanistic and vulgar sociology of the “Leftist” at the time was also somewhat scrupulously criticized. Due to the specific historical conditions in modern China, Liang Shiqiu’s view of literature is bound to be discarded by the tide of modern literature. However, as a critically individual with theoretical personality, no matter whether he gains or lost, he has left its own unique traces in the history of modern Chinese literature.