曾做过编剧的马未都一定不会否认,艺术品的流通是个以财富为主线的好剧本。它的魅力就在于,所有的人都是主角,左眼盯财富、右眼盯艺术。不过对于马未都来说,他不会把这些让他名利双收的藏品留给子孙,因为他有一个信仰——“我要把它们献给国家,这些古董会变成一种力量,会改变一个人、一个国家、一个民族的现状。” The horse who had been a screenwriter must not deny that the flow of artwork is a good script based on wealth. Its charm is that all people are the protagonists, the left eye on wealth, right eye staring art. But for Ma, he would not leave these collections that made him fame and fortune because his faith - “I want to dedicate them to the nation, these antiquities will become a force that will change One person, one country, one nation. ”