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在时装界,三宅一生的大名如日中天,他不仅是日本的骄傲, 而且俨然成了整个亚洲时装界的象征。应该说,欧美时尚设计大师基于数百年来的现代文化底蕴,奠定了他们在世界时装界的领导地位。每年每季我们都在聆听来自巴黎、米兰、纽约的流行信息,借以指引我们的潮流方向。在这样一种主从关系中,三宅一生的脱颖而出,一举打破了“时尚看西方”的铁板观念,就尤显难能可贵。女性时装一直以来都是三宅一生的设计重点,也更能显示他的天才想像力。在20世纪末,他开始涉足其他女性领域,以其无穷尽的创造力推出全新女性香水“一生之水”之后,更推出完美的Le Feu d’
In the world of fashion, the name of Issey Miyake in a heyday, he is not only the pride of Japan, but also seems to have become a symbol of the Asian fashion industry. It should be said that Europe and the United States fashion design masters based on hundreds of years of modern culture, laid them the world’s leading position in the fashion industry. Every quarter of the year we are listening to popular information from Paris, Milan, New York, in order to guide our trend. In such a relationship between master and slave, the appearance of Issey Miyake in one fell swoop, in one fell swoop broke the “fashion look at the West” concept of iron, it is particularly commendable. Women’s fashion has always been the design of Issey Miyake’s life, but also better show his genius imagination. In the late 20th century, he began to get involved in other women’s fields, with its endless creativity to launch a new women’s perfume, “a lifetime of water”, but also introduced the perfect Le Feu d ’