张大千在使用中国传统绘画工具的画家中,没有人像张大千那样对古人笔墨有更为自信的理解,从他1949年移居异国之后完成的彩墨画可以最后看出,这种理解显然不是类似黄宾虹、潘天寿、溥心畲(1896—1963)这类画家对古人谨慎的尊重,张大千充分地领悟了笔墨在纸面上的物理特性,他的实践告诉同人:任何人如果掌握了表达各种境界的技术,就能够使自己的绘画像任何迁想妙得、气韵生动、疏淡高远的古画那样,获得“神韵”和难以琢磨的深邃。又由于作伪这类行 Zhang Daqian Among the painters who used the traditional Chinese painting tools, no one had a more confident understanding of the ancients as Zhang Daqian did. From the color ink painting completed after he immigrated to another country in 1949, he finally saw that this understanding is apparently not similar to that of Huang Binhong and Pan Tian Shou, Pu Xin She (1896-1963) Such painters have been cautiously respected by the ancients. Zhang Daquan fully comprehends the physical characteristics of the ink on the paper. His practice tells his colleagues that if anyone masters the techniques of expressing various realms , You can make your own painting like any immortal wonderful, vivid charm, drab lofty ancient paintings, get “charm ” and hard to ponder the profound. And because of pseudo-such line