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民族五声性和声在我国专业音乐创作中已普遍使用，并逐渐形成自己相对完整的体系．但是，在许多音乐院校的和声教学中，长期以来讲授的仍然是欧洲传统和声，而对民族正声性和声的讲解则相对较少，有的院校根本就不涉及，致使大多数学生在学了和声学之后，仍然对民族多声音乐不甚了解．在音乐写作中，常常用欧洲传统和声配以民族五声性的旋律，造成了和声与旋律风格的严重脱节。应尽快改革和声教学中的这种不合理现象．
The harmony of national pentatics has been widely used in the creation of professional music in our country and gradually formed its own relatively complete system. However, in many harmony teaching in music schools, the traditional European harmony has been taught for a long time, but there are relatively few explanations for the national harmony of voice. Some colleges do not talk about it at all, Most students still do not know much about national polyphonic music after they have learned the harmony. In music writing, it is often used European traditional harmony with five national melodies, resulting in a serious disconnect between harmony and melodic style. Such unreasonable phenomena in the teaching of harmony should be reformed as soon as possible.