本文尝试运用德里达“在场”与“缺席”的观点,对英国浪漫主义诗人布莱克的爱情诗《爱的花园》进行解构分析。笔者从该诗的形式、技巧和历史背景来解构爱情诗永恒的符号:“爱”与“死”。诗中“爱”与“死”及其关系的能指的缺席与在场,预示着“爱”与“死”并非二元对立,而是你中有我,我中有你,共荣共生,神出鬼没的。笔者希望本文能拓宽读者对“爱”与“死”的冥思。 This article tries to use Derrida’s “presence” and “absence” perspectives to deconstruct the romantic love poem “Love’s Garden” by British romantic poet Blake. The author deconstructs the eternal symbols of love poems from the form, technique and historical background of the poem: “love” and “death”. The absence and existence of the signifier of “love” and “death” and their relationship signify that “love” and “death” are not dualistic, but you and me There you, co-prosperity symbiosis, come out of nothing. I hope this article can broaden readers’ meditations on “love ” and “death ”.