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什么是“人”?这么个简单的问题也不是我们每个“人”都能圆满地回答得出来的,《汉语辞典》对“人”作了如下注释:能制造工具改造自然并使用语言的高等动物。显然.这样的注释不能令“人”感到科学与圆满:《礼记·礼运》篇:“人者,天地之德.阴阳之交.鬼神之会.五行之秀气也”:《列子·黄帝》篇则曰:“七尺之驱.手足之异.戴发含齿.倚而食者,谓之人”;当代著名作家贾平凹刚道:“人怎样才能为万物之灵?人存在的意义和力量所在何处?——一切真正的艺术家都在为此寻找答案,并用他们的作品反复在揭示着这一主题”,摄影家当然也不例外。大千世界浩繁万物涌入镜头,但数量最大并最具震撼力.最引人思考的作品,仍是以人为表现对象的作品。我用相机阐述我对“人”的理解。
What is “human”? Such a simple question is not satisfactorily answered by every “person”. The Chinese Dictionary annotates “human” as follows: It can make tools to transform nature and use language Higher animals. Obviously, such annotations can not make “people” feel science and success: “Book of Rites, Li Yun” articles: “people, the moral of heaven and earth. ”The article reads:“ Seven feet of the drive. Difference between the hands and feet. Dai hairs with teeth. Reliance and those who eat, ”the famous contemporary writer Jia Pinguang just said:“ How can people be the Spirit of all things? The meaning of human existence And Where’s the Power? - All real artists are searching for answers to this and repeatedly revealing the theme with their work. ”Photographers, of course, are no exception. Thousands of millions of worldly influx into the lens, but the largest and most powerful. The most thought-provoking works, is still the object of human performance. I use the camera to explain my understanding of “people.”