乌江李华年(贵州)李华年所刻乌江一印,取法汉印,粗看为白文印,细看则看到其中的妙处,“江”字为朱文,处理自然谐调,与“乌”字阴文融合一体,可见作者的良苦用心。不足之处,外框与中间正文的空间部分过宽,显得脱节,古意顿失,建议作者多看汉印中这种朱白相间的作品,以求得整体的统一。夏韬之印李文进(北京)此印取法汉铸满白印一路,结体严整,自然,亦说明作者在汉印之上下过一定工夫,这也是初学者的入门途径。印中“夏”字和“印”字较好,然“韬”字的右下角中间处理得小心谨慎,显得拘束,可省去二点作“”形,就大方了。 Wujiang Li Huainian (Guizhou) Li Huainian engraved Wujiang a print, take the French and Chinese, rough look for the white print, look at the beauty of which to see, “Jiang ” character for the Zhu Wen, handling natural harmony, and “The integration of the word Yinwen, we can see the author’s good intentions. Shortcomings, the outer frame and the middle of the body part of the space is too wide, appear out of touch, the ancient meaning of the loss, suggest that the authors see more of this Zhu Rong white works, in order to achieve the overall unity. Xia Tao’s Seal Li Wenjin (Beijing) This seal was printed in French and Chinese with a white print all the way. The structure is firm and natural. It also shows that the author has made some efforts on the Chinese and Indian inscriptions, which is also a beginner’s entry way. India and China ”summer “ character and ”print “ character is better, however, ”Tao “ character in the lower right corner of the middle handled very carefully, appear to be restrained, eliminating the need for two points for ”" shape Generous.