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底层的香港,都市“冷暴力”以前,Michael是一位摄影记者,自2003年起,他开始意识到杂志的改版让拍照变成不那么自由的事情。他曾经提到,2000年之后产生的互联网泡沫使得摄影记者的拍摄目的发生逆转,在拍摄新闻照片时,他不得不为杂志的编排成本考虑;与此同时,他也发现因为对于信息量有诸多需求,新闻摄影在裁切画面上也存在诸多限制。此后他开始把全部精力投入进艺术摄影。在香港,Michael带着雅佳(Arca-Swiss)Misura相
Underlying Hong Kong, City “Cold Violence” Previously, Michael was a photojournalist who, starting in 2003, began to realize that the magazine’s redesign made photography less of a relief. He mentioned that the Internet bubble that occurred after 2000 reversed the purpose of photographing photographers and had to consider the cost of arranging magazines when photographing news photos. At the same time, he also found that because of the large amount of information Demand, news photography, there are many restrictions on the crop screen. Since then he began to devote himself entirely to artistic photography. In Hong Kong, Michael takes the Misura phase of Arca-Swiss