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毫无疑问,《超级女声》为2005年的中中掀起一股前所未有的娱乐风暴。从普通观众到学者,从电视同行到媒体业界,参与者和旁观者都以一种难见的亢奋感受着它带来的惊喜或是迷惑。它创造出新的流行用语,新的收视习惯,新的社会记题还诞生了全新的娱乐偶像,甚至新的审美标准。更重要的,它正在改变整个中国电视娱乐的方向与格局。 2006年,经历了《超级女声》狂欢的湖南卫视如何跨越自己设下的门槛?受到启发的电视界同行将会发生哪些改变? 当纯粹的娱乐节目遭遇仍处于权威之位的电规台。它会在哪些方面水土不服? 作为电视界标杆和“老大”的中央电视台, 又如何面对新的娱乐变局? 中国电视新的娱乐时代是否真能如期到来?
Undoubtedly, “Super Girl” set off an unprecedented entertainment storm for 2005 in China. From ordinary audiences to academics, from television counterparts to the media industry, participants and onlookers feel the surprises or confusion it brings with an unpleasant excitement. It creates new popular language, new viewing habits, new social issues also created a new entertainment idol, and even new aesthetic standards. More importantly, it is changing the direction and pattern of the entire Chinese entertainment industry. In 2006, Hunan Satellite TV experiencing the “Super Girl Voice” spans the threshold set by itself and what changes will happen to the inspired TV industry peers? When the pure entertainment program encounters the power station that is still in the position of authority. In what ways does it accuse it? As the television industry benchmark and “boss” of CCTV, how to face the new entertainment changes? China TV new entertainment era really can come?