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《瓦格纳事件》和《尼采反瓦格纳》都写于1888年——瓦格纳去世后五年,写后不到一年尼采就精神崩溃了。文章的义理之争中,显然有一种意气之争,但不论尼采对瓦格纳的爱恨情仇如何折射于指摘批判中,那只是一些“人性的,太人性的”问题,他对瓦格纳的攻击依然远远超出私人恩怨,尤其,他切中了时代的命脉:颓废、表演。这甚至是一个预言,因为那个时代并未远去,而是愈演愈烈。“姿态是目的”的时代,我们正生活在其中,“表演”简直已经快成为了一种思考的方式。
The Wagoner Incident and Nietzsche’s Anti-Wagoner were written in 1888 - five years after Wagner’s death, and Nietzsche collapsed less than a year after his writing. It is clear that there is a controversy over the justification of the article. However, no matter how Nietzsche’s love and hate toward Wagner are reflected in the criticism and criticism, it is only a matter of “human and human nature” Attacks are still far beyond the private grudges, in particular, he cut the lifeblood of the times: decadence, performance. This is even a prophecy, because that era is not far away, but intensified. “Gesture is the purpose of ” era, we are living in them, “performance ” has almost become a way of thinking.