我国文学与绘画的交融互动肇于汉,滥觞于晋,经唐而光大,迨宋、元、明、清集大成。史载,晋人顾恺之以神话传说为题,作《女史箴图》《神赋图》等,成为中国画史上不朽名作。而据诗制画可溯及唐,先是郑谷《咏雪》:“乱飘僧舍茶烟湿,密洒歌楼酒力微。江山晚来堪画处,渔人披得一蓑归”。诗被当朝画家段赞善取意成画,并赠予郑谷。彼此诗画酬酢,往来互动,成就国画史上一段佳话。至于以画题诗更是一时风气,从初唐四杰至李、杜,所有宗师名家无不涉足。入宋,皇家画院招聘 The interaction of literature and painting in our country originated from Han Dynasty, originated from Jin Dynasty, passed through Tang Dynasty, but from Song Dynasty, Yuan Dynasty, Ming Dynasty and Qing Dynasty. Historical records, Jin Gu Kaizhi myths and legends as the title, as “female history of Pro” “God Fu map”, become the immortal masterpieces in the history of Chinese painting. According to the poetic paintings can be traced back to the Tang Dynasty, Zheng Gu, “Wing Snow”: “Floating monk shed tea smoke wet, ”. Poetry was the contemporary painter paragraph praised as meaning painting, and presented to Zheng Gu. Each other poetry painting and entertainment, interaction between the achievements of traditional Chinese painting in the history of a story. As to painting the poem is a temporary trend, from the early Tang Jie to Li, Du, all master masters all involved. Into the Song, Royal Painting Institute recruitment