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清代绘画是清代美学思想的载体之一,更是窥见清代审美意识的重要媒介。以清代画作为中心,归纳其艺术本体的意象创构类型特征,阐明其技法表现观念特质,厘清主导其价值转向的主体思维方式的本质内核,揭橥其后潜藏的主流审美意识嬗变,是对清代审美意识史研究新路径的前瞻性探索,更是在解构审美意识物化形态的基础上建构清代主体价值体系的原创新尝试。
Qing Dynasty painting is one of the carriers of aesthetic thoughts in Qing Dynasty, but also an important medium to glimpse the aesthetic consciousness of Qing Dynasty. The Qing dynasty painting as the center, induces the artistic creation of the type of image features of the type of structure, to clarify their technical performance characteristics of traits, to clarify the dominant core of the value of its dominant way of thinking to change the core, revealing the underlying hidden aesthetic changes in consciousness, is The prospective exploration of a new approach to the study of the history of aesthetic consciousness in the Qing Dynasty is an original attempt to construct the system of the principal value of the Qing Dynasty on the basis of deconstructing the materialized and aesthetic forms of aesthetic consciousness.