于吉2011年的展览“我独自站立”中呈现了一系列取样自改革开放以来城市公共空间形态的雕塑。立方体石膏模块——一方面作用为搭建常用的方砖,一方面模拟出老旧马赛克的效果——被用来堆砌出简单开放的空间造型,一件件分坐于旧木块组合成的形似旧家具的底座上,弥散着一种粗糙、贫穷的集体记忆与简朴、脆弱的美感。这件名为《公共空间》的作品看似于吉创作中的一个异类:它指向一个具体历史时段中具有阐释意义的一类挟带私密功能的公共空间,在不需言明其意图的前提下,已然朝向着一类与集体主义或公共 Yu Ji’s 2011 exhibition “Stand Alone” presents a series of sculptures that take samples of urban public space since the reform and opening up. Cubic gypsum module - on the one hand the role of building common brick, on the one hand to simulate the effect of the old mosaic - was used to piling up a simple open space modeling, one piece seated in the shape of a combination of old wood The old furniture on the base, dispersed with a rough, poor collective memory and simple, fragile beauty. This piece of work, entitled “Public Space,” appears to be a heterogeneous category of Kyrgyz writing: it points to an interpreted public sphere of private function in a specific historical period, and without pretending its intentions, Toward a class with collectivism or public