工尺谱是记录、承载、传播中国传统音乐的重要媒介,它用“上尺工凡六五乙”代表七个乐音的音高,同时配以板眼符号标示节奏、节拍。它是在唐代燕乐半字谱基础上发展而来,后经宋代俗字谱发展而定型,于明清时期发展成熟,在我国传统民间音乐中得到推广与应用。虽然20世纪以来工尺谱已经衰微,但直至今天,在乡村寺舍,仍能听到有人用工尺谱字读唱的旋律,仍有众多的民间乐种是用工尺谱所记载,它不仅传承着中国传统音乐文化,同时也折射出中国人的音乐观念和音乐文化意识。1工尺谱的独特孕育方式只记写音乐的轮廓,对节奏的记写不做精确的划分是工尺谱的最大特征。与早期流传的减字谱、俗字谱、管色指法谱相比,虽然工尺谱已经有了发展和进 Staff spectrum is recording, carrying and dissemination of traditional Chinese music, an important medium, which uses “footwork workers where 655 B ” on behalf of the pitch of the seven tones, together with the board eye symbol rhythm and beat. It developed from the half-genealogy of Yanyue in the Tang Dynasty, and was shaped by the development of vulgar spectrum in the Song Dynasty. It matured in the Ming and Qing Dynasties and was promoted and applied in the traditional folk music of our country. Although Gongfu spectrum has been declining since the 20th century, up till now, there are still many melodies in the village temples that can be read and sung by workers. There are still many folk songs recorded in Gongfuzhi, which not only inherit China’s traditional music culture, but also reflects the Chinese people’s musical concepts and musical culture awareness. The unique appearance of a staff ruler only records the outline of the music. The precise division of the rhythmic notes is the greatest characteristic of the staff ruler. Compared with the early spread of reduced spectrum, vulgar spectrum, tube color fingerprinting spectrum, although the staff has been developed and scored spectrum