一不久前,波兰导演克里斯蒂安·陆帕携话剧《伐木》献演天津。近5个小时的演出,没有情节的冲突,只有絮叨、冗长的讲述和浮夸、散漫的宴席话题,却充满了诡异独特的戏剧张力。看完演出,我的记忆却停留在罗伯特·威尔逊在北京上演《克拉普的最后碟带》的那个冬夜——无边的雨声,冷峻的蓝白光,一个颤颤巍巍、孤独寂寞的老人,在舞台上用十几分钟完成剥香蕉、吃香蕉的过 Not long ago, Polish director Christian Lupa brought drama “logging” to Tianjin. Nearly five hours of performance, there is no plot of the conflict, only long talk, lengthy talk and grandiose, loose banquet topic, but full of strange and unique drama tension. After watching the show, my memory was stuck in the winter night where Robert Wilson staged “Klap’s Last Disc” in Beijing - boundless rain, solemn blue and white, a quivering, lonely old man, In the stage with ten minutes to complete the peeling bananas, bananas too