20世纪,西方文化的强大冲击打破了中国画传统图式的稳定结构,使中国画的语言形态由原来的单一转向多元化。除了在本土的画家陈师曾、黄宾虹、齐白石、潘天寿等不断努力从传统中挖掘开新,为中国画注入活力外,美术留学生更是以其开阔的视野为中国画的革新而努力。这其中留法美术生贡献巨大,尤其是林风眠和他的“风眠体”。 In the 20th century, the strong impact of Western culture broke the stable structure of the traditional Chinese painting pattern and diversified the language form of the Chinese painting from the original one. Apart from the continuous efforts of local artists such as Chen Shizeng, Huang Binhong, Qi Baishi and Pan Tianshou to dig new traditions and inject vitality into Chinese painting, art students are even striving for the innovation of Chinese painting with their broaden horizons. Among them, the great contribution of French art students in France, especially Lin Fengmian and his “Wind and Mimicry”.