钤印,盖章,这是完成一幅画作的最后一道工序。中国传统上用钤盖印章来表示守信和责任。在画作上钤印,除表明这是画家作品的信证之外,还具有鉴定作用和审美情趣。棉白的宣纸或柔软的绢帛上,墨色浓淡的间隙中,钤盖上精美的朱红色印章,它均衡着画面的构图,丰富了画面的效果。只有这样,一幅画作才是完美完整的。印,始于商周,盛于秦汉,是证信之物。隋唐印章钤盖在画作之上,是鉴赏认定的证明。北宋起,苏东坡等文人兼擅数艺,把藏作者名于树根石隙间,变为题字加款,作诗词于画上, Seal, seal, this is the final step in the completion of a painting. Traditionally, China used a stamp to indicate its trustworthiness and responsibility. In the painting on the emblem, in addition to show that this is a letter of credit artist’s work, but also has the role of appraisal and aesthetic taste. Mian white rice paper or soft silk silk, dark ink in the gap, 钤 covered with exquisite vermilion seal, which balances the composition of the picture, and enrich the effect of the picture. Only in this way, a painting is perfect and complete. India, began in Shang and Zhou Dynasties, flourished in Qin and Han Dynasties, is a letter of the thing. Sui and Tang stamps covered in the paintings above, is the proof of appreciation. Northern Song Dynasty, Su Dongpo and other literati and good art, the author of the name in the roots of stone, into an inscription plus paragraph, poetry on the painting,