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中国动画不缺乏动画片的经典形象,但是缺乏使这些形象再生的活力与手段。曾经达到很高艺术水平的哪吒和美猴王等经典动画形象,由于没有后续故事和继续创作而被废弃。重新创作的哪吒和美猴王的新形象,由于没有继承和发展而很难达到新的艺术高度。现今中国经典动画形象的缺失,致使很多优秀的传统形象被海外文化曲解。在经典形象的保护传承上,我们应该向欧美和日本学习。在继承的基础上创新,即保持了原有形象的经典地位,又使其焕发时代气息,昌盛不衰,而具有顽强的生命力。
Chinese animation does not lack the classic image of animation, but it lacks the vitality and means to regenerate these images. The classic animated images of gobies and monkeys that once reached a very high artistic level were abandoned because of no follow-up story and continued creation. The new image of the reborn and the Monkey King makes it hard to reach a new artistic height without inheritance and development. Nowadays, the lack of classic Chinese animation images has caused many excellent traditional images to be distorted by overseas cultures. In the protection of the classic image heritage, we should learn from Europe, America and Japan. On the basis of inheritance, innovation, that is, to maintain the classic image of the original status, but also to rejuvenate the atmosphere of the times, prosperous, but with tenacious vitality.