几年前,我很心仪远怀兄的行草书,严格说是他的行书。那时节,全国书坛铺天盖地获奖或入展多为“二王”一路的行草书。站在展厅里或翻阅作品集的时候,我时常会产生一种“陶渊明式”的时空幻觉,“不知秦汉,无论魏晋”了。而远怀兄,此前已经写得一手很好的王铎行书了,我真担心他也会和别人一样受“二王”时风的影响而迷失了自我。直至去年中,《陆远怀书法作品集》的出版,才证明我先前对他的疑虑是多余的。远怀兄走的是一条自己的路。在他的书法作品中,我看到笔下流露出来的经典把握与情性的表达达到了较为完美的结合。在研习王铎书法的 A few years ago, I really admire brother’s cursive script, strictly speaking, his practice book. At that time, the national bookstore overwhelmingly won the prize or into the exhibition for the “king” all the way to the cursive. Standing in the gallery or read the portfolio, I often have a kind of “Tao Yuanming” space-time illusion, “I do not know Qin and Han, both Wei and Jin”. And far-brother, Wang Duo had written a good hand before the book, and I am really worried he will, like others, by the “two kings” and the impact of the wind and lost his self. Until last year, the publication of the Calligraphy Collection by Lu Yuan-huai proved that my previous doubts about him were superfluous. Far from brother walking is a way. In his calligraphic works, I can see the perfect combination of the classic grasp and the expression of affection expressed in my pen. Studying Wang Duo calligraphy