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上世纪90年代“新纪录片运动”之后,中国出现了两种截然不同的纪录片,一种是以电视台为播出渠道的主流纪录片样式,另一种是依托海内外影展在体制外生存的个人制作的纪录片。后者一直是标新立异的影像文化的源头,其中又有一类专门以边远地区文化生存与变迁方式为记录对象的纪录片,被人类学界发现并重视,很自然地被上世纪90年代后期中国人类学界中的影视人类学吸纳并奉为学科的先驱。于是,这种人类学纪录片以一种跨界的姿态进入纪录片生产与传播的视野。人类学纪录片既然是人类
In the 1990s, after the “New Documentary Movement,” two completely different kinds of documentary films appeared in China. One was a mainstream documentary style broadcast by a television station and the other was relying on overseas film festivals to survive outside the system Personal produced documentary. The latter has always been the source of unconventional image culture. There is also a category of documentary devoted to documenting the ways of cultural survival and change in remote areas. It was discovered and valued by anthropological circles and was naturally captured by Chinese anthropology in the late 1990s The film anthropology absorbed and regarded as a pioneer in science. As a result, this anthropological documentary entered the field of documentary production and dissemination in a cross-border manner. Anthropology documentary since it is human