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探寻动画表演的主体性是解决动画中是否存在表演的关键问题之一。追本溯源,动画表演的本质是“人”进行的表演。它的主体性历经了实体主体、认知主体和生命主体的身份变迁,建构了以“物身性”的“身体”创造的动画美学。动画表演中的“人”是多重主体性的凝结,在创作中多度创作、几经投射,进而以动画角色亮相银幕,成为了隐藏在动画角色背后的“羞涩舞者”。在动画表演的过程中,幕后操作者“人”的主体性参与让动画造型和动作表演形成了意义上的合谋,进而使动画表演形成独特的艺术审美。
To explore the subjectivity of animated performance is one of the key issues to solve the existence of the performance in the animation. Tracing back to the source, the essence of animated performance is performance performed by “people”. Its subjectivity has undergone the changes of the identities of the subject, the subject of cognition and the subject of life, and has constructed the animation aesthetics created by “body ” of “body ”. The “people” in the animated performance is a condensation of multiple subjectivity, which is highly creative in creation, projected several times, and then appears on the screen with animated characters, becoming the “shy dancer” behind the animated characters. In the process of animated performance, the subjectivity of behind-the-scenes operator “person ” makes the animation modeling and action performance form a conspiracy in meaning, thus making the animation performance form a unique artistic aesthetic.