在我国传统艺术领域中,戏曲的地位举足轻重,早在元代已经处于成熟阶段,但其理论仅从音乐性,或者文学性等视角解读,直至明清时期,著名戏曲理论家李渔,将戏曲视为独立的综合性舞台表演艺术本体,提出了戏曲艺术独立价值的理论。文章以李渔戏曲理论为例,在了解李渔戏曲理论发展状态的基础上,深入研讨李渔戏曲理论对戏曲艺术发展的价值影响。 In the field of traditional arts of our country, the status of opera plays a decisive role, as early as the Yuan Dynasty. However, its theory is only interpreted from the perspectives of musicality or literature. Until the Ming and Qing dynasties, the well-known opera theorist Li Yu, As an independent comprehensive stage performance art body, put forward the theory of the independent value of opera art. Taking Li Yu’s opera theory as an example, on the basis of understanding the development state of Li Yu’s opera theory, the article deeply discusses the value influence of Li Yu’s opera theory on the development of opera art.