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水墨一词的出现可以说是为把中国画拉离传统复古的境地而把中国画材质化的一种手段,随着新工笔概念的提出,工笔艺术家也在用自己的理解来诠释新工笔的概念。张见多年来从事中国画艺术创作,从接受传统的中国画训练到开始有些排斥传统,寻找当代语境下的个人表达,再至到逐渐重读传统,在真正的中国画传统中汲取养分,融入自己的感受,为画面注入“传统”的新鲜血液。
The emergence of the word “ink and wash” can be said to be a means of materializing Chinese painting in order to get rid of traditional Chinese painting. With the new concept of pen and stencil, artists are also using their own understanding to explain the concept of new style of pen. Zhang Jian has been engaged in the art of Chinese painting for many years. From the tradition of traditional Chinese painting to the beginning of some rejection of tradition, looking for personal expressions in contemporary contexts, and then gradually re-read the tradition, in the real tradition of Chinese painting to absorb nutrients, into their own feelings , Into the screen into the “traditional” fresh blood.