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本文研究的内容受本雅明关于机械复制技术影响艺术作品的“灵韵”和贡布里希在艺术与技术进步的文论中关于艺术和技术竞赛的观点所启发。在这种启发下,笔者通过对这两方面的理解和吸收,以新技术为视角来论述关于新技术是架上绘画终结的隐藏力量。由于关于技术对架上绘画影响的观点是比较零星的散见于一些专著中,尚未见系统的论述专著。所以笔者希望通过一个粗略脉络来论述自己浅略的观点。
The content of this paper is inspired by Benjamin’s “Spiritual Implication” of mechanical works affecting mechanical reproduction and Gombrich’s view of art and technical competition in literary theory of artistic and technological progress. Inspired by this, through the understanding and absorption of these two aspects, the author discusses the new technology as a hiding power to end the painting. Because of the impact of technology on the painting on the shelf is more sporadic scattered in some monographs, the system has not been discussed monographs. So I hope through a rough context to discuss their own point of view.