论文部分内容阅读
在当代陕西艺坛,关于柳青、刘文西的话题非常耐人寻味。一个是土生土长、从革命走向文学的著名作家,一个是生于南方扎根陕西、科班出身的国画家。但是,他们的艺术成就、文艺思想、创作原则、艺术风格、精神气质等等方面却十分相同或相似。他们都是大师级人物,不仅对中国当代文学、美术贡献巨大,而且都以丰富的创作实践和文艺理论影响带动了众多的后来者,形成了各具显著地域特征、风格相似的艺术流派——“黄土文学”流派和“黄土画派”。艺术形式迥异,却以“黄土”共名,又一次说明时代、地域环境对不同艺术的共同影响力。他们毕竟是两大不同的艺术形式,本文仅对他们最显著的共性予以比较分析研究。
In contemporary art circles in Shaanxi, the topic of Liu Qing and Liu Wenxi is very intriguing. One is a well-known writer born and raised from the revolution to literature, one is a painter born in South China took root in Shaanxi, Koban painter. However, their artistic achievement, literary thought, creative principle, artistic style, temperament, etc. are all very similar or similar. All of them are masters, not only making great contributions to Chinese contemporary literature and art, but also bringing a great many latecomers with rich creative practice and the influence of literary theory to form artistic schools with distinctive geographical features and similar styles - “Loess Literature ” genre and “Loess School ”. Different forms of art, but with “loess ” common name, once again shows the era, the geographical environment of the common influence of different arts. After all, they are two different forms of art, this article only to their most significant commonalities comparative analysis.