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文学文本理论的嬗变影响着文学研究范式的转型,从作品走向文本,又从文本回归作品都拓展了人们对文本理论的认识。文论史上几乎所有像样的文本分析理论都有偏执倾向,各执一端不计其余的文本研究固然入思敏捷,但也往往漏洞百出。在综合考量文学文本构成要素的基础上形成的文本四维论,指的是完整的作品或文本构成应是“四合”而成,包含虚、实、纵、横四个维度或四个层面。四维合一的文本观揭示了文学文本的复杂本性,敞开了文学批评的空间,丰富了文学史的叙述。
The transmutation of literary text theory has influenced the transformation of literary research paradigms, from works to texts, and from texts to works, which have expanded people’s understanding of textual theory. Almost all literary theory in the history of literary theory tends to be paranoid. All of the textual research on the one hand and the rest of the text, though, is quick to think fast, but it is also often full of loopholes. The four-dimensional theory of text formed on the basis of comprehensive consideration of the constituent elements of literary texts means that the complete works or the composition of texts should be composed of four dimensions, including four dimensions of imaginary, real, vertical and horizontal or four Level. The textual view of four dimensions unifies reveals the complex nature of literary texts, opens the space for literary criticism and enriches the narration of literary history.