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战士话剧团演出的《南海长城》(导演:傅冰;美术设计:谢明、文昆、黄守志、夏立业),是根据一九六二年十月以来广东沿海军民歼灭美蒋武装特务的英勇斗争事迹编写而成的。从演出中,我们不仅被民兵们的英勇行动所鼓舞,体会到毛主席“全民皆兵”思想的伟大意义,而且还从剧中人物间的思想交锋中受到深刻的教育:只要有阶级和阶级斗争的存在,就必须保持高度的革命警惕,时时刻刻擦亮手中的枪和思想上的枪,不能让它们生锈!布景设计的成功,就在于它是和剧本的主题思想密切结合的,能够为揭示演出的思想意义、为教育千百万观众服务。我想从三个方面作些分析。
The “Great Wall of the South China Sea” (director: Fu Bing; art design: Xie Ming, Wen Kun, Huang Shouzhi and Xia Liye) performed by the Warrior Drama Troupe was a heroic act by the military commanders of the Guangdong coastal areas that wiped out the US-Chiang Militants since October 1962 Fighting stories written by. From the performance, we are not only inspired by the heroic actions of the militias, we understand the great significance of Chairman Mao’s idea of “nation-wide integration,” but are also profoundly educated from the ideological confrontation between the characters in the play: as long as there is class and class struggle It is necessary to maintain a high degree of revolutionary vigilance, always polish the guns and ideological guns in the hands, can not let them rust! The success of the set design is that it is closely related to the theme of the script and can To reveal the ideological significance of the show, serve millions of educators. I want to make some analysis from three aspects.