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通过分析20世纪40年代美术家们走进西北地区在敦煌艺术考古的具体动因和艺术方向以及在敦煌壁画的临摹方面对于艺术探求的初衷,探讨敦煌成为20世纪40年代西行美术家们文化寻根焦点的具体原因。
Through the analysis of the specific motives and artistic directions of artists in the 1940s in the northwestern region in Dunhuang and the original intention of exploring art in Dunhuang murals, this paper explores the root causes of the cultural roots of western artists in the 1940s in Dunhuang The specific reason.