论文部分内容阅读
四大古典名著,除了《红楼梦》,其余三部当中,女性角色至多只能算是一种陪衬——甚至是一种反衬。与《红楼梦》中那一个个个性鲜明、活色生香、清丽可人的“水做的”女子相比,《三国演义》中本就为数寥寥的女性形象明显过于扁平化,近乎千人一面;而《西游记》中的妖女、《水浒传》中的淫妇,简直就是对女性的一种扭曲、丑化乃至玷辱。每想到这个问题,总会有一个疑问萦
Four classic classics, in addition to “Dream of Red Mansions”, among the remaining three, the role of women can only be regarded as a foil - or even a contrast. Compared with the “Made by Water” woman in “A Dream of Red Mansions”, which is distinctive in personality and vivid in life and beautiful in color, the few female figures in the Romance of the Three Kingdoms are apparently too flattened to nearly one thousand People side; and “Journey to the West” in the witch, “Outlaws of the Marsh” in the adulteress, is simply a distortion of women, vilification and even dishonor. Every time I think of this question, there is always a doubt