在计划经济的体制下,戏剧作品被一味强调其“喉舌”作用,专用于舞台教化,其重要的娱乐功能、审美功能却长期未得到充分和有效的开发,久而久之,形成了一种新的“约定俗成”,似乎戏剧就是专司教化职能的。在对外开放带来的文化观念巨变的今天,戏剧市场的低迷和戏剧观众的走失都已成为一种客观事实,成为了一种无奈的必然。 Under the system of planned economy, dramatic works are blindly emphasizing their “mouthpiece” role and are dedicated to enlightenment on the stage. Their important entertainment functions and aesthetic functions have not been fully and effectively developed for a long time. Over time, a new “ Conventions, ”it seems that theater is a specialized education function. At the moment when the cultural concept brought by the opening to the outside world is drastically changed, the downturn in the theater market and the loss of the theater audience have all become objective facts and have become a helpless inevitability.