2009年可以说是舞蹈艺术最繁荣的一年,这一年舞蹈界各大赛事巧合地都碰在了一起,可谓百花盛开争奇斗艳。而在传统的舞蹈赛事和传统的舞台之外,随着电视和互联网技术的不断发展,很多以年轻编导为代表,以电视和网络为平台的新舞蹈作品也如雨后春笋般蓬勃发展。纵观他们的创作,我觉得其中拥有很多的新意,而这些新意也许会转化为未来推动舞蹈艺术多元化的动力。第一个新意是这些平台完全面对大众,参与人群面就是大众,这些平台(尤其是网络平台)几乎可以说是零门槛——也就是说只 2009 can be said that the most prosperous dance art year, this year the major events of the dance world coincidentally touch together, can be described as full bloom contests. In addition to the traditional dance competitions and the traditional arena, with the continuous development of television and Internet technologies, many new dance productions represented by young directors and popularized by television and the Internet have also mushroomed. Looking at their creations, I think there is a lot of new ideas in them, and these new ideas may translate into the driving force behind the diversification of dance art in the future. The first of these is that these platforms are completely open to the public and that the crowd is the mass. These platforms (especially web-based platforms) are almost zero thresholds - that is, only